So I’m
about here:
The
Blinding Knife was light and fluffy fantasy that took its magic system too
seriously.
What a
disappointment. The Blinding Knife
reversed every single thing I liked about Weeks’s writing. Yeah, my
expectations were high. Plus I felt I was doing Weeks a favor by forgiving his
slides into melodrama. So there’s betrayal mixed in this. Here is where Mr.
Weeks swerved off course, in my estimation.
The
Villains were way too safe. The chief two, Andross Guile and The Color Prince,
both feel like the exact same character to begin with. There’s just so much
effort put into buffing their reputations that their weak actions seem even
more pathetic. You can’t keep saying “these guys are meticulous planners who have
been scheming years!” then have a 15 year old fat kid come in stupid and
half-cocked, yet still beat every challenge and not have them look like idiots.
It seems like they want to fail. Never mind the motivation of each boils down
to “the author needs me to do it”, all they end up accomplishing is making the
heroes look kinda good for a minute.
In
general, too, everything comes too easy for Kip Guile, the Hero. In all of the
Brent Week’s other books, even the first book of this series, the hero had to pay a high price for anything they
wanted. Now this kid can’t even fuck up without getting what he wanted. How does
it make sense to build Kip as the Fat Kid who Can’t Do Anything Right then have
him run for days, learn an incredible complex game in a month (and beat a
master of said game), beat other kids who have been training their whole lives
as fighters casually, and still able to summon impossible magic to bail himself
out of any situation with no training in it? There are more Outs then possible
problems. It made all of the action of
the book tedious. I got more invested in the relationships of characters as a
consequence. Looking for something dynamic. Even there though, everybody loves
the heroes. Everything is forgiven. Say something stupid? Turns out it was
funny, charming, and makes everyone like you more. Girl pissed at you for 16
years? Your mom will talk to her for 10 minutes and it’ll be all better.
The
magic system was more than adequately explained in the first book. There was a
chapter where a character went through an actual lesson plan. It was just block
paragraphs treating this shit as real. I guess Weeks got some criticism on that
as there are great pains put into covering any instance of new magic in the
book. That pain was transferred to the reader. History and possible uses and
whatever the rest of the whole fucking world thinks of people who use it and
how it affects people who use it and ties to old gods… Jesus H the whole
“dialogue” about the invisible color (I forget the name and a quick Google
search yields nothing. Starts with a P) was a chore to get through. A
disposable character was brought in to say “this shit is super mysterious and
maybe super deadly. Don’t tell anyone about it because this book is dry as fuck”.
I’m pretty sure that quote is verbatim but I don’t know the page number. So in
the end, I got pages of teasing about something that doesn’t matter.
The
“ending” was complete shit. On every single level an ending exists on, this one
festered on the bottom most plane with a stink that’ll stay with you for a few
days. First off, the “final battle” is a joke. Gaven kills one of these “gods”
a few days earlier, single-handedly. Now he’s got an army and it’s more
exciting? AT LEAST KIP DOESN’T FALL ON
THE GUY WITH AN ALL-POWER ARTIFACT HE CONVIENTLY GOT. Reals? The badguys
can be beat by the hero tripping? The author has the gall to drag out this pedestrian
battle then throw a whole mess of shit in at the end then end the book like
that was a clever cliff-hanger. Cliff-hangers are cheap tricks used by cheap
authors. Every single chapter ended with some “but oh no!” that never turned
out to be a serious problem. I just feel like the book stopped. Even with the
threads that terminated in this book, there was no closure on them. More
forgotten.
There
are characters that are just distractions, filler. Namely Teia and Gunner. Ok,
Teia is a slave for about three weeks before Kip miraculously bails her out in
a wild fit of luck so any sympathy and potential for hidden conflict is
obliterated quickly. Her power color is largely seen as useless and Weeks
spends a great deal of time attempting to justify her inclusion in anything. In
vain. Again, soft obstacles are placed in front of her that suspiciously
conform to an easy test of abilities she already has. I couldn’t even describe
her personality. I don’t think she has one. Gunner is author over-indulgence.
Weeks is channeling Melville’s Moby-Dick.
Every. Single. Passage. With Gunner was teeth-gnashing frustrating to get
through. The idea is fun! He talks to a make-believe (or not) sea Goddess as
though they are two old friends who hate each other. But the writing made me
violently angry it was so bad. Now he’s
gonna be a main character in the next book! Yay! I’m not fucking reading it
now.
The
parts I did like, and there were enough to keep me going despite all this other
stuff I’ve been writing about, all of that gets murdered in this book. Gavin.
Ya know, the whole entire actually
interesting aspect to this series is killed for no reason. Well, Ok, I mean
because Dazen is running out of time!!
That’s horseshit. Dazen dealing with his brother was some item on a bucket
list. That’s flimsy. Can I get a character that has more motivation than “the
author told me to”? But really, story potential is jettisoned for no explained
/ good reason. That’s tantamount to a felony at least. JANIS BORIG! You made
exploring the history of this world a fun, highly engaging, read! So… get
killed before a fraction of your potential is used? Though she did lift heavily
from Harry Potter. What with
legendary magical artifacts (including invisible cloaks) and living other
people’s lives in a dream-like manner, and being super powerful but living in
some house where anybody could find her. But whatever! Fun is fun and she was
that. The lack of context given to her death was insulting to anyone who
invested at all in her character (me).
I
rolled into this book ready to love it but Brent Weeks worked really hard to
convince me not to. Tough to know how much I should hold this against Weeks. He’s
still 5 for 6. But in all those other stories, he rubbed hard against disaster
(with such unimaginative core stories) , so has he succumbed to bad instincts?
