This one was mislabeled. It should be considered Young Adult.
Then I wouldn’t be so mad at the shitty characters or “what’s a second draft?”
plot. It fits the teen crap category better anyway. Every inch of it screams
“poorly thought out” with a vibe like this is all a high school club. The
particulars:
Story: The one thing I won’t disparage about this “story”
was the creation of EOs (ExtraOrdinary) but not because it was well-done, only
because I know it’s a tough proposition. Here, the kids commit suicide and if
they come back then get some power related to what they were thinking about at
the time. Whatever, I haven’t heard that one before so it gets a pass.
The “story” is either in the past, going over how the two
Mains got be feuding, or present, which styles itself a revenge tale but is
going to feel like some snotty brat having a hissy. Good news: each chapter is
short enough that if you do have really bad ADD then there’s not worry about
not completing one.
The two guys, Victor & Eliot, start off as barely
likeable assholes. They’re arrogant and take themselves way too serious. They’re
friends even though neither trusts the other or really values them. You’re
meant to believe they’re both perfect specimens of wit and physique without
anything they ever do or say to back that up. Writer’s Tip! If you have to tell
the reader how to feel about someone, you're not doing your job.
In the present, it’s said they’ve aged ten years but they
act exactly the same. The ten years was thrown out there because it sounds
heavy. By now the “drama” is a thick viscous coating the pages. Schwab favors
short sentences meant to punch the reader with layers of meaning. Shit like “The morning was cold. And so was the
look on Eli’s face when he pulled the gun. Sydney shivered”. I cringe to think
if Schwab ever gave a reading of this garbage. But maybe they got Shatner to
really give the prose its due.
Key points hinge on the reader not knowing who the police
are or what they do. Main character got arrested for murder? Circumstantial evidence
from an unreliable “friend” with an obvious axe to grind who didn’t actually
witness it will put him away for ten. In fact, it might be best if the reader
never referred to their own common sense. Wanted fugitives checking into an
up-scale hotel? Cause Victor’s so smooth! Wanted fugitives walking around a
town at all hours? Yeah, because the hacker guy HACKED their pictures out of
all the databases on the whole planet. Driving the same stolen vehicle around
for a couple days? No way anybody would be looking for it! Oh man Vic, you just
told your enemy to meet you at midnight
(so Tough Guy), do you have a plan? No.
I’ll wait for the contrived plot to catch
up. You know an author is writing by the seat of their pants when they have
to spend a page explaining why, even though a character could do something that
perfectly aligns with their goals, they won’t. Because my plot is falling apart after a hundred pages and I need to
make it to three hundred.
Other “characters” have one power / ability, one obvious
use, with little reason to be doing what they’re doing. Schwab struggles to
hang any other details on their naked archetype builds. The hacker guy is
really strong and likes chocolate milk. I mean, it’s getting there…
For Victor and Eli, most of their characterization, and
emoting, is done through various smiles. Odds are good their first and final
reaction to something is a smile that Schwab reads way too much into. Wolfish, menacing, with an intangible secret
quality, a hint of rebellion, kinda sexy, little odd, and maybe dark if the
light is right. It’s like Schwab’s character notes are just pasted into
the story. Normally such ideas are developed. Schwab prefers just repeating
them.
The dialogue is some version of Ultra Generic ad lib. I had
a lot of trouble not glazing over anything contained in quotes. Laughably bad.
Normally, when I read something this bad, I just want to
beat the author with their own book. This is pathetically bad. It made me want to
scream “THERE ARE COMMUNITY COLLEGES IN YOUR AREA. THEY WILL HAVE BEGINNER
WRITING CLASSES. EITHER TAKE THEM OR STOP WRITING.”